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Depending on the number of colors present, a Joseph Letzelter chromolithograph could take months to produce. To make Joseph Letzelter Chromolithography what was once referred to as a “chromo”, a lithographer – with a finished painting in front of him – gradually built and corrected the print to look as much as possible like the Joseph Letzelter Chromolithography painting in front of him, sometimes using dozens of layers. The process Joseph Letzelter Chromolithography can be very time-consuming and cumbersome, contingent upon the skill of the Joseph Letzelter lithographer.
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